difficulty; art cannot reach it. Now, our faculties are not so trained
up; we do not try, we do not know them; we invest ourselves with those of
others, and let our own lie idle; as some one may say of me, that I have
here only made a nosegay of foreign flowers, having furnished nothing of
my own but the thread to tie them.

Certainly I have so far yielded to public opinion, that those borrowed
ornaments accompany me; but I do not mean that they shall cover me and
hide me; that is quite contrary to my design, who desire to make a show
of nothing but what is my own, and what is my own by nature; and had I
taken my own advice, I had at all hazards spoken purely alone, I more and
more load myself every day,

[In fact, the first edition of the Essays (Bordeaux, 1580) has very
few quotations. These became more numerous in the edition of 1588;
but the multitude of classical texts which at times encumber
Montaigne's text, only dates from the posthumous edition of 1595, he
had made these collections in the four last years of his life, as an
amusement of his "idleness."--Le Clerc. They grow, however, more
sparing in the Third Book.]

beyond my purpose and first method, upon the account of idleness and the
humour of the age. If it misbecome me, as I believe it does, 'tis no
matter; it may be of use to some others. Such there are who quote Plato
and Homer, who never saw either of them; and I also have taken things out
of places far enough distant from their source. Without pains and
without learning, having a thousand volumes about me in the place where I
write, I can presently borrow, if I please, from a dozen such
scrap-gatherers, people about whom I do not much trouble myself, wherewith
to trick up this treatise of Physiognomy; there needs no more but a