two female powers named Damia and Auxesia, whose connexion with the
fertility of the ground is unquestionable. When Epidaurus suffered
from a dearth, the people, in obedience to an oracle, carved images
of Damia and Auxesia out of sacred olive wood, and no sooner had
they done so and set them up than the earth bore fruit again.
Moreover, at Troezen itself, and apparently within the precinct of
Hippolytus, a curious festival of stone-throwing was held in honour
of these maidens, as the Troezenians called them; and it is easy to
show that similar customs have been practised in many lands for the
express purpose of ensuring good crops. In the story of the tragic
death of the youthful Hippolytus we may discern an analogy with
similar tales of other fair but mortal youths who paid with their
lives for the brief rapture of the love of an immortal goddess.
These hapless lovers were probably not always mere myths, and the
legends which traced their spilt blood in the purple bloom of the
violet, the scarlet stain of the anemone, or the crimson flush of
the rose were no idle poetic emblems of youth and beauty fleeting as
the summer flowers. Such fables contain a deeper philosophy of the
relation of the life of man to the life of nature--a sad philosophy
which gave birth to a tragic practice. What that philosophy and that
practice were, we shall learn later on.



3. Recapitulation

WE can now perhaps understand why the ancients identified
Hippolytus, the consort of Artemis, with Virbius, who, according to
Servius, stood to Diana as Adonis to Venus, or Attis to the Mother
of the Gods. For Diana, like Artemis, was a goddess of fertility in