Chaucer by Sir Adolphus William Ward
page 117 of 216 (54%)
page 117 of 216 (54%)
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chance does the "Clerk," following Petrarch's Latin version of a story
related by the same author, tell the even more improbable, but, in the plainness of its moral, infinitely more fructuous tale of patient Griseldis. How well the "Second Nun" is fitted with a legend which carries us back a few centuries into the atmosphere of Hrosvitha's comedies, and suggests with the utmost verisimilitude the nature of a Nun's lucubrations on the subject of marriage. It is impossible to go through the whole list of the "Tales"; but all may be truly said to be in keeping with the characters and manners (often equally indifferent) of their tellers--down to that of the "Nun's Priest," which, brimful of humour as it is, has just the mild naughtiness about it which comes so drolly from a spiritual director in his worldlier hour. Not a single one of these "Tales" can with any show of reason be ascribed to Chaucer's own invention. French literature--chiefly though not solely that of fabliaux--doubtless supplied the larger share of his materials; but that here also his debts to Italian literature, and to Boccaccio in particular, are considerable, seems hardly to admit of denial. But while Chaucer freely borrowed from foreign models, he had long passed beyond the stage of translating without assimilating. It would be rash to assume that where he altered he invariably improved. His was not the unerring eye which, like Shakspere's in his dramatic transfusions of Plutarch, missed no particle of the gold mingled with the baser metal, but rejected the dross with sovereign certainty. In dealing with Italian originals more especially, he sometimes altered for the worse, and sometimes for the better; but he was never a mere slavish translator. So in the "Knight's Tale" he may be held in some points to have deviated disadvantageously from his original; but, on the other hand, in the "Clerk's Tale," he inserts a passage on the fidelity of women, and another on the instability of the multitude, besides adding a touch of nature irresistibly pathetic |
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