Lucilla laid herself back in her chair again. I could see that she gave
me up, in the matter of Mr. Dubourg, as a person willfully and
incorrigibly wrong.

"A coiner of false money, recommended as an honorable man by one of the
first merchants in London!" she exclaimed. "We do some very eccentric
things in England, occasionally--but there is a limit to our national
madness, Madame Pratolungo, and you have reached it. Shall we have some
music?"

She spoke a little sharply. Mr. Dubourg was the hero of her romance. She
resented--seriously resented--any attempt on my part to lower him in her
estimation.

I persisted in my unfavorable opinion of him, nevertheless. The question
between us (as I might have told her) was a question of believing, or not
believing, in the merchant of London. To her mind, it was a sufficient
guarantee of his integrity that he was a rich man. To my mind (speaking
as a good Socialist), that very circumstance told dead against him. A
capitalist is a robber of one sort, and a coiner is a robber of another
sort. Whether the capitalist recommends the coiner, or the coiner the
capitalist, is all one to me. In either case (to quote the language of an
excellent English play) the honest people are the soft easy cushions on
which these knaves repose and fatten. It was on the tip of my tongue to
put this large and liberal view of the subject to Lucilla. But (alas!) it
was easy to see that the poor child was infected by the narrow prejudices
of the class amid which she lived. How could I find it in my heart to run
the risk of a disagreement between us on the first day? No--it was not to
be done. I gave the nice pretty blind girl a kiss. And we went to the
piano together. And I put off making a good Socialist of Lucilla till a