"Madame Fontaine and her daughter?" I said.

He turned quickly to answer me, and hesitated. At the same moment, the
door was opened by the sour old housekeeper, frowning suspiciously at the
two elegantly-dressed ladies whom she ushered into the room.

If I had been free to act on my own impulse, I should certainly (out of
regard for Mr. Engelman) have refrained from accompanying the visitors
when they were shown over the house. But Minna took my arm. I had no
choice but to follow Mr. Engelman and her mother when they left the room.

Minna spoke to me as confidentially as if I had been her brother.

"Do you know," she whispered, "that nice old gentleman and mamma are like
old friends already. Mamma is generally suspicious of strangers. Isn't it
odd? And she actually invites him to bring his pipe when he comes to see
us! He sits puffing smoke, and admiring mamma--and mamma does all the
talking. Do come and see us soon! I have nobody to speak to about Fritz.
Mamma and Mr. Engelman take no more notice of me than if I was a little
dog in the room."

As we passed from the ground floor to the first floor, Madame Fontaine's
admiration of the house rose from one climax of enthusiasm to another.
Among the many subjects that she understood, the domestic architecture of
the seventeenth century seemed to be one, and the art of water-color
painting soon proved to be another.

"I am not quite contemptible as a lady-artist," I heard her say to Mr.
Engelman; "and I should so like to make some little studies of these