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Literary Taste: How to Form It - With Detailed Instructions for Collecting a Complete Library of English Literature by Arnold Bennett
page 40 of 90 (44%)
is to place ourselves in the position of the mental inferior,
aware of mental inferiority, humbly stripping off all conceit,
anxious to rise out of that inferiority. Recollect that we always regard
as quite hopeless the mental inferior who does not suspect
his own inferiority. Our attitude towards Lamb must be:
"Charles Lamb was a greater man than I am, cleverer, sharper,
subtler, finer, intellectually more powerful, and with keener eyes
for beauty. I must brace myself to follow his lead."
Our attitude must resemble that of one who cocks his ear and listens
with all his soul for a distant sound.


To catch the sound we really must listen. That is to say,
we must read carefully, with our faculties on the watch. We must read
slowly and perseveringly. A classic has to be wooed and
is worth the wooing. Further, we must disdain no assistance.
I am not in favour of studying criticism of classics before
the classics themselves. My notion is to study the work
and the biography of a classical writer together, and then to read
criticism afterwards. I think that in reprints of the classics
the customary "critical introduction" ought to be put at the end,
and not at the beginning, of the book. The classic should be allowed
to make his own impression, however faint, on the virginal mind
of the reader. But afterwards let explanatory criticism be read
as much as you please. Explanatory criticism is very useful;
nearly as useful as pondering for oneself on what one has read!
Explanatory criticism may throw one single gleam that lights up
the entire subject.


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