restless eyes that at times seemed fixed on her were smouldering windows
of a burning house: the fire that stirred her was also consuming him.
Though he could have been little more than five and thirty, his hair was
thinned and greying at the temples. And somehow emblematic of this
physiognomy and physique, summing it up and expressing it in terms of
apparel, were the soft collar and black scarf tied in a flowing bow.
Janet longed to know what he was saying. His phrases, like music, played
on her emotions, and at last, when his voice rose in crescendo at the
climax of his speech, she felt like weeping.

"Un poeta!" a woman beside her exclaimed.

"Who is he?" Janet asked.

"Rolfe," said the woman.

"But he's an Italian?"

The woman shrugged her shoulders. "It is his name that is all I know." He
had begun to speak again, and now in English, with an enunciation, a
distinctive manner of turning his phrases new to such gatherings in
America, where labour intellectuals are little known; surprising to
Janet, diverting her attention, at first, from the meaning of his words.
"Labour," she heard, "labour is the creator of all wealth, and wealth
belongs to the creator. The wage system must be abolished. You, the
creators, must do battle against these self-imposed masters until you
shall come into your own. You who toil miserably for nine hours and
produce, let us say, nine dollars of wealth--do you receive it? No, what
is given you is barely enough to keep the slave and the slave's family
alive! The master, the capitalist, seizes the rightful reward of your