The Land of Little Rain by Mary Hunter Austin
page 47 of 118 (39%)
page 47 of 118 (39%)
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prepare you to believe what the driver insists, namely, that all
that country and Jimville are held together by wire. First on the way to Jimville you cross a lonely open land, with a hint in the sky of things going on under the horizon, a palpitant, white, hot land where the wheels gird at the sand and the midday heaven shuts it in breathlessly like a tent. So in still weather; and when the wind blows there is occupation enough for the passengers, shifting seats to hold down the windward side of the wagging coach. This is a mere trifle. The Jimville stage is built for five passengers, but when you have seven, with four trunks, several parcels, three sacks of grain, the mail and express, you begin to understand that proverb about the road which has been reported to you. In time you learn to engage the high seat beside the driver, where you get good air and the best company. Beyond the desert rise the lava flats, scoriae strewn; sharp-cutting walls of narrow canons; league-wide, frozen puddles of black rock, intolerable and forbidding. Beyond the lava the mouths that spewed it out, ragged-lipped, ruined craters shouldering to the cloud-line, mostly of red earth, as red as a red heifer. These have some comforting of shrubs and grass. You get the very spirit of the meaning of that country when you see Little Pete feeding his sheep in the red, choked maw of an old vent,--a kind of silly pastoral gentleness that glozes over an elemental violence. Beyond the craters rise worn, auriferous hills of a quiet sort, tumbled together; a valley full of mists; whitish green scrub; and bright, small, panting lizards; then Jimville. The town looks to have spilled out of Squaw Gulch, and that, in fact, is the sequence of its growth. It began around the Bully |
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