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The Land of Little Rain by Mary Hunter Austin
page 47 of 118 (39%)
prepare you to believe what the driver insists, namely, that all
that country and Jimville are held together by wire.

First on the way to Jimville you cross a lonely open land,
with a hint in the sky of things going on under the horizon, a
palpitant, white, hot land where the wheels gird at the sand and
the midday heaven shuts it in breathlessly like a tent. So in
still weather; and when the wind blows there is occupation enough
for the passengers, shifting seats to hold down the windward side
of the wagging coach. This is a mere trifle. The Jimville stage
is built for five passengers, but when you have seven, with
four trunks, several parcels, three sacks of grain, the mail and
express, you begin to understand that proverb about the road which
has been reported to you. In time you learn to engage the high
seat beside the driver, where you get good air and the best
company. Beyond the desert rise the lava flats, scoriae strewn;
sharp-cutting walls of narrow canons; league-wide, frozen puddles
of black rock, intolerable and forbidding. Beyond the lava the
mouths that spewed it out, ragged-lipped, ruined craters
shouldering to the cloud-line, mostly of red earth, as red as a red
heifer. These have some comforting of shrubs and grass. You get
the very spirit of the meaning of that country when you see Little
Pete feeding his sheep in the red, choked maw of an old vent,--a
kind of silly pastoral gentleness that glozes over an elemental
violence. Beyond the craters rise worn, auriferous hills of a
quiet sort, tumbled together; a valley full of mists; whitish green
scrub; and bright, small, panting lizards; then Jimville.

The town looks to have spilled out of Squaw Gulch, and that,
in fact, is the sequence of its growth. It began around the Bully
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