So sang Seyavi of the campoodie before she made baskets, and in her
later days laid her arms upon her knees and laughed in them at the
recollection. But it was not often she would say so much, never
understanding the keen hunger I had for bits of lore and the "fool
talk" of her people. She had fed her young son with meadowlarks'
tongues, to make him quick of speech; but in late years was
loath to admit it, though she had come through the period of
unfaith in the lore of the clan with a fine appreciation of its
beauty and significance.

"What good will your dead get, Seyavi, of the baskets you
burn?" said I, coveting them for my own collection.

Thus Seyavi, "As much good as yours of the flowers you strew."

Oppapago looks on Waban, and Waban on Coso and the Bitter
Lake, and the campoodie looks on these three; and more, it sees the
beginning of winds along the foot of Coso, the gathering of clouds
behind the high ridges, the spring flush, the soft spread of wild
almond bloom on the mesa. These first, you understand, are the
Paiute's walls, the other his furnishings. Not the wattled hut is
his home, but the land, the winds, the hill front, the stream.
These he cannot duplicate at any furbisher's shop as you who live
within doors, who, if your purse allows, may have the same home at
Sitka and Samarcand. So you see how it is that the homesickness of
an Indian is often unto death, since he gets no relief from it;
neither wind nor weed nor sky-line, nor any aspect of the hills of
a strange land sufficiently like his own. So it was when the
government reached out for the Paiutes, they gathered into the