"The classics absorbed almost his whole attention in his later school days, and
the flowing beauty of his oral translations in class, whether of Thucydides,
Plato or Virgil, was a thing not easily to be forgotten."

This photograph, so to speak, of Oscar as a schoolboy is astonishingly clear
and lifelike; but I have another portrait of him from another contemporary,
who has since made for himself a high name as a scholar at Trinity, which, while
confirming the general traits sketched by Sir Edward Sullivan, takes somewhat
more notice of certain mental qualities which came later to the fruiting.

This observer who does not wish his name given, writes:

"Oscar had a pungent wit, and nearly all the nicknames in the school were
given by him. He was very good on the literary side of scholarship, with a
special leaning to poetry. . . . .

"We noticed that he always liked to have editions of the classics that were of
stately size with large print. . . . . He was more careful in his dress than
any other boy.

"He was a wide reader and read very fast indeed; how much he assimilated I never
could make out. He was poor at music.

"We thought him a fair scholar but nothing extraordinary. However, he startled
everyone the last year at school in the classical medal examination, by walking
easily away from us all in the "viva voce" of the Greek play ('The Agamemnon')."

I may now try and accentuate a trait or two of these photographs, so to speak,
and then realise the whole portrait by adding an account given to me by Oscar
himself. The joy in humorous romancing and the sweetness of temper recorded