the third consort of the emperor, who had married her only a few
months ago. She wore a handsome dishabille of embroidered white
muslin, closely surrounding her delicate and slender form, and
trimmed with beautiful laces. The white dress reached up to the
neck, where a rose-colored tie fastened it. Her beautiful black
hair, which fell down in heavy ringlets on both sides of her face,
was adorned with a costly lace cap, from which wide ribbons of rose-
colored satin flowed down on her shoulders. But the countenance of
the empress did not correspond to this coquettish and youthful
dress. She was young and beautiful, but an expression of profound
melancholy overspread her features. Her cheeks were transparently
white, and a sad, touching smile quivered round her finely-
chiselled, narrow lips; her high, expansive forehead was shaded, as
it were, by a cloud of sadness; and her large black eyes shot, from
time to time, gloomy flashes which seemed to issue from a gulf of
fiery torture. But whatever passions might animate her delicate,
ethereal form, the empress had learned to cover her heart with a
veil, and her lips never gave utterance to the sufferings of her
soul. Only her confidantes were allowed to divine them; they alone
knew that, twofold tortures were racking Ludovica's fiery soul,
those of hatred and wounded pride. Napoleon! it was he whom the
empress hated with indescribable bitterness; and the neglect with
which her consort, the Emperor Francis, treated her cut her proud
heart to the quick. Thanks to the intrigues and immense riches of
her mother, Beatrix of Este, Duchess of Modena, she had become the
wife of an emperor, and herself an empress; but she had thereby
obtained only an august position, not a husband and partner. She was
an empress in name only, but not in reality. Francis had given her
his hand, but not his heart and his love. He disdained his
beautiful, lovely wife; he avoided any familiar intercourse with her