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Andreas Hofer by L. (Luise) Mühlbach
page 77 of 688 (11%)

"Why can I not die now?" he said to himself in a low voice. "Why
does not Death kiss my lips at this glorious hour of my triumph? Oh,
come, Death! waft me blissfully into the other world, for in this
world I am useless henceforth; my strength is gone, and my head has
no more ideas. I live only in and on the past!"

"And yet you live for all time to come," said the Princess
Esterhazy; enthusiastically, "and while German art and German music
are loved and honored, Joseph Haydn will never die and never be
forgotten."

Hushed now was every sound. Salieri had taken his seat as conductor
of the concert, and signed now to the orchestra.

The audience listened in breathless silence to the tumultuous notes
depicting in so masterly a manner the struggle of light and
darkness, the chaos of the elements. The struggle of the elements
becomes more and more furious, and the music depicts it in sombre,
violent notes, when suddenly the horizon brightens, the clouds are
rent, the dissonant sounds pass into a sublime harmony, and in
glorious notes of the most blissful exultation resound through the
struggling universe the grand, redeeming words, "Let there be
light!" And all join in the rapturous chorus, and repeat in blissful
concord, "Let there be light!"

The audience, carried away by the grandeur and irresistible power of
these notes, burst into long-continued applause.

Haydn took no notice of it; he heard only his music; his soul was
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