Andreas Hofer by L. (Luise) Mühlbach
page 77 of 688 (11%)
page 77 of 688 (11%)
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"Why can I not die now?" he said to himself in a low voice. "Why does not Death kiss my lips at this glorious hour of my triumph? Oh, come, Death! waft me blissfully into the other world, for in this world I am useless henceforth; my strength is gone, and my head has no more ideas. I live only in and on the past!" "And yet you live for all time to come," said the Princess Esterhazy; enthusiastically, "and while German art and German music are loved and honored, Joseph Haydn will never die and never be forgotten." Hushed now was every sound. Salieri had taken his seat as conductor of the concert, and signed now to the orchestra. The audience listened in breathless silence to the tumultuous notes depicting in so masterly a manner the struggle of light and darkness, the chaos of the elements. The struggle of the elements becomes more and more furious, and the music depicts it in sombre, violent notes, when suddenly the horizon brightens, the clouds are rent, the dissonant sounds pass into a sublime harmony, and in glorious notes of the most blissful exultation resound through the struggling universe the grand, redeeming words, "Let there be light!" And all join in the rapturous chorus, and repeat in blissful concord, "Let there be light!" The audience, carried away by the grandeur and irresistible power of these notes, burst into long-continued applause. Haydn took no notice of it; he heard only his music; his soul was |
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