Andreas Hofer by L. (Luise) Mühlbach
page 81 of 688 (11%)
page 81 of 688 (11%)
![]() | ![]() |
|
|
"Take me home, dear ones," he said, faintly, "sing on, my
'Creation'; my soul will remain with you, but my body can no longer stay. Old age has broken its strength. Farewell, farewell, all of you! My soul will always be among you when you sing my music; my body will go, but the soul will remain. Farewell!" And the votaries of art who had conveyed him to the hall now placed the maestro's chair again on their shoulders, and carried it slowly through the hall toward the entrance. The audience stood in silent reverence and looked up to Haydn's passing form, and durst not break this profound stillness by uttering a sound. They bade farewell to the universally beloved and revered maestro only by bowing their heads to him and shedding tears of emotion--farewell for evermore! The solemn procession had now arrived at the door. Joseph Haydn lifted his weary head once more; his spirit gleamed once more in his eyes; an expression of unutterable love beamed from his mild face; he stretched out his arms toward the orchestra as if to bless it, and greeted it with his smile, with the nodding of his head, and the tears which filled his eyes. [Footnote: "Zeitgenossen," third series, vol iv., p. 33] A low rustling and sobbing passed through the hall; no one was courageous enough to clap his hands; all hearts were profoundly moved, all eyes filled with tears. But now he disappeared, and the door closed behind Joseph Haydn. The German maestro had to-day celebrated his apotheosis amidst the |
|


