Essays Before a Sonata by Charles Ives
page 9 of 110 (08%)
page 9 of 110 (08%)
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personality? Do all inspirational images, states, conditions, or
whatever they may be truly called, have for a dominant part, if not for a source, some actual experience in life or of the social relation? To think that they do not--always at least--would be a relief; but as we are trying to consider music made and heard by human beings (and not by birds or angels) it seems difficult to suppose that even subconscious images can be separated from some human experience--there must be something behind subconsciousness to produce consciousness, and so on. But whatever the elements and origin of these so-called images are, that they DO stir deep emotional feelings and encourage their expression is a part of the unknowable we know. They do often arouse something that has not yet passed the border line between subconsciousness and consciousness--an artistic intuition (well named, but)--object and cause unknown!--here is a program!--conscious or subconscious what does it matter? Why try to trace any stream that flows through the garden of consciousness to its source only to be confronted by another problem of tracing this source to its source? Perhaps Emerson in the _Rhodora_ answers by not trying to explain That if eyes were made for seeing Then beauty is its own excuse for being: Why thou wert there, O, rival of the rose! I never thought to ask, I never knew; But, in my simple ignorance, suppose The self-same Power that brought me there brought you. Perhaps Sturt answers by substitution: "We cannot explain the origin of an artistic intuition any more than the origin of any other primary function of our nature. But if as I believe civilization is mainly founded on those kinds of unselfish human |
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