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Egypt (La Mort de Philae) by Pierre Loti
page 37 of 180 (20%)
others by a high wall which effectively separates it from the outer
world. The walls are of a reddish hue, burnt by centuries of sun into
the colour of raw sienna or of bloodstone. At the bottom they are
straight, simple, a little forbidding in their austerity, but their
summits are elaborately ornamented and crowned with battlements, which
show in profile against the sky a long series of denticulated stonework.
And over this sort of reddish fretwork of the top, which seems as if it
were there as a frame to the deep blue vault above us, we see rising up
distractedly all the minarets of the neighbourhood; and these minarets
are red-coloured too, redder even than the jealous walls, and are
decorated with arabesques, pierced by the daylight and complicated
with aerial galleries. Some of them are a little distance away; others,
startlingly close, seem to scale the zenith; and all are ravishing and
strange, with their shining crescents and outstretched shafts of wood
that call to the great birds of space. Spite of ourselves we raise our
heads, fascinated by all the beauty that is in the air; but there is
only this square of marvellous sky, a sort of limpid sapphire, set
in the battlements of El-Azhar and fringed by those audacious slender
towers. We are in the religious East of olden days and we feel how the
mystery of this magnificent court--whose architectural ornament consists
merely in geometrical designs repeated to infinity, and does not
commence till quite high up on the battlements, where the minarets point
into the eternal blue--must cast its spell upon the imagination of the
young priests who are being trained here.

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