analogous works. Does it remind you of Shakespeare's exposition
of the tragedy of the same name (Act i., Scene I)? It is the only
pendant to it that I know in the productions of human genius.
Read it again, and compare it as you are thinking of it. You are
worthy of those noble emotions of Art, by the fervent zeal with
which you worship its creed. Your piano score of the Overture to
Coriolanus does all honor to your artist conscience, and shows a
rare and patient intelligence which is indispensable to bringing
this task to a satisfactory end. If I should publish my version
of the same Overture (it must be among my papers in Germany) I
shall beg your permission to send you, through Prince Dolgorouki
[Prince Argontinski-Dolgorouki, a devoted lover of music. A
friend of Liszt's: had rich property in the Crimea.] (I can't
tell you half the good I think of him), an annotated copy, which
I will beg you to add to the insignificant autograph which you
really estimate too highly in attaching so affectionate a price
to it! Accept once more, my dear sir, my most affectionate
regards.

F. Liszt

Elisabethgrad, September 14th. 1847



52. To Carl Haslinger in Vienna

[The original (without address) in the possession of M. Alfred
Bovet at Valentigney.--There is no doubt that it was written to
the above music publisher (son of the well-known Tobias H.), who