couple of pleasing, brilliant Studies--perhaps also a Notturno
(or something of that sort), and an effective Fantasia on some
conspicuous theme. Then let Schlesinger, Hartel, or Mechetti (to
whom I will most gladly speak about your works beforehand)
publish the six pieces--your Concerto and the C major Study,
together with the later pieces--all together, so that publisher,
critic, artist, and public all have to do with them at the same
time. Instead of dishing up one little sweetmeat for the people,
give them a proper dinner. I am very sorry I did not follow this
plan myself; for, after much experience, I consider it far the
best, especially for pianoforte works. In Weymar we will talk
more fully and definitely about this. Conradi [Musician and
friend in Berlin] is also to come. I don't require the Huguenot
Fantasia at present. He will have time enough for it in Weymar.
En attendant, [A German letter, so Liszt's own French expression
is kept] Schlesinger will give him a modest payment for the work
he has begun. Please kindly see about the enclosed letters for
Freund as soon as possible.

With all good wishes, I am, dear Kroll,

Yours most sincerely,

F. Liszt

Port Marly, June 11th, 1844



39. To Freund