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Every Man out of His Humour by Ben Jonson
page 12 of 288 (04%)
witty and trenchantly satirical dialogue, the central idea of a fountain of
self-love is not very well carried out, and the persons revert at times to
abstractions, the action to allegory. It adds to our wonder that this
difficult drama should have been acted by the Children of Queen Elizabeth's
Chapel, among them Nathaniel Field with whom Jonson read Horace and
Martial, and whom he taught later how to make plays. Another of these
precocious little actors was Salathiel Pavy, who died before he was
thirteen, already famed for taking the parts of old men. Him Jonson
immortalised in one of the sweetest of his epitaphs. An interesting
sidelight is this on the character of this redoubtable and rugged satirist,
that he should thus have befriended and tenderly remembered these little
theatrical waifs, some of whom (as we know) had been literally kidnapped to
be pressed into the service of the theatre and whipped to the conning of
their difficult parts. To the caricature of Daniel and Munday in
"Cynthia's Revels" must be added Anaides (impudence), here assuredly
Marston, and Asotus (the prodigal), interpreted as Lodge or, more
perilously, Raleigh. Crites, like Asper-Macilente in "Every Man Out of His
Humour," is Jonson's self-complaisant portrait of himself, the just, wholly
admirable, and judicious scholar, holding his head high above the pack of
the yelping curs of envy and detraction, but careless of their puny attacks
on his perfections with only too mindful a neglect.

The third and last of the "comical satires" is "Poetaster," acted, once
more, by the Children of the Chapel in 1601, and Jonson's only avowed
contribution to the fray. According to the author's own account, this play
was written in fifteen weeks on a report that his enemies had entrusted to
Dekker the preparation of "Satiromastix, the Untrussing of the Humorous
Poet," a dramatic attack upon himself. In this attempt to forestall his
enemies Jonson succeeded, and "Poetaster" was an immediate and deserved
success. While hardly more closely knit in structure than its earlier
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