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Every Man out of His Humour by Ben Jonson
page 18 of 288 (06%)
and warranted silent, but who, in the end, turns out neither silent nor a
woman at all. In "The Alchemist," again, we have the utmost cleverness in
construction, the whole fabric building climax on climax, witty, ingenious,
and so plausibly presented that we forget its departures from the
possibilities of life. In "The Alchemist" Jonson represented, none the
less to the life, certain sharpers of the metropolis, revelling in their
shrewdness and rascality and in the variety of the stupidity and wickedness
of their victims. We may object to the fact that the only person in the
play possessed of a scruple of honesty is discomfited, and that the
greatest scoundrel of all is approved in the end and rewarded. The comedy
is so admirably written and contrived, the personages stand out with such
lifelike distinctness in their several kinds, and the whole is animated
with such verve and resourcefulness that "The Alchemist" is a new marvel
every time it is read. Lastly of this group comes the tremendous comedy,
"Bartholomew Fair," less clear cut, less definite, and less structurally
worthy of praise than its three predecessors, but full of the keenest and
cleverest of satire and inventive to a degree beyond any English comedy
save some other of Jonson's own. It is in "Bartholomew Fair" that we are
presented to the immortal caricature of the Puritan, Zeal-in-the-Land Busy,
and the Littlewits that group about him, and it is in this extraordinary
comedy that the humour of Jonson, always open to this danger, loosens into
the Rabelaisian mode that so delighted King James in "The Gipsies
Metamorphosed." Another comedy of less merit is "The Devil is an Ass,"
acted in 1616. It was the failure of this play that caused Jonson to give
over writing for the public stage for a period of nearly ten years.

"Volpone" was laid as to scene in Venice. Whether because of the success
of "Eastward Hoe" or for other reasons, the other three comedies declare in
the words of the prologue to "The Alchemist":
"Our scene is London, 'cause we would make known
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