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Every Man out of His Humour by Ben Jonson
page 5 of 288 (01%)
On his release, in disgrace with Henslowe and his former associates, Jonson
offered his services as a playwright to Henslowe's rivals, the Lord
Chamberlain's company, in which Shakespeare was a prominent shareholder. A
tradition of long standing, though not susceptible of proof in a court of
law, narrates that Jonson had submitted the manuscript of "Every Man in His
Humour" to the Chamberlain's men and had received from the company a
refusal; that Shakespeare called him back, read the play himself, and at
once accepted it. Whether this story is true or not, certain it is that
"Every Man in His Humour" was accepted by Shakespeare's company and acted
for the first time in 1598, with Shakespeare taking a part. The evidence
of this is contained in the list of actors prefixed to the comedy in the
folio of Jonson's works, 1616. But it is a mistake to infer, because
Shakespeare's name stands first in the list of actors and the elder
Kno'well first in the 'dramatis personae', that Shakespeare took that
particular part. The order of a list of Elizabethan players was generally
that of their importance or priority as shareholders in the company and
seldom if ever corresponded to the list of characters.

"Every Man in His Humour" was an immediate success, and with it Jonson's
reputation as one of the leading dramatists of his time was established
once and for all. This could have been by no means Jonson's earliest
comedy, and we have just learned that he was already reputed one of "our
best in tragedy." Indeed, one of Jonson's extant comedies, "The Case is
Altered," but one never claimed by him or published as his, must certainly
have preceded "Every Man in His Humour" on the stage. The former play may
be described as a comedy modelled on the Latin plays of Plautus. (It
combines, in fact, situations derived from the "Captivi" and the
"Aulularia" of that dramatist). But the pretty story of the beggar-maiden,
Rachel, and her suitors, Jonson found, not among the classics, but in the
ideals of romantic love which Shakespeare had already popularised on the
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