king himself in all but the name, for he ruled over the
western sea-board of Norway, while Olaf Tryggvesson was
yet a wanderer and exile. He is certainly one of the most
picturesque figures of these Norwegian dramas; what with
his rude wit, his personal bravery, and that hereditary
beauty of his race for which he was conspicuous above
the rest. His very errors, great as they were, have a
dash and prestige about them, which in that rude time
must have dazzled men's eyes, and especially WOMEN'S, as
his story proves. It was his sudden passion for the
beautiful Gudrun Lyrgia (the "Sun of Lunde," as she was
called), which precipitated the avenging fate which years
of heart-burnings and discontent among his subjects had
been preparing. Gudrun's husband incites the Bonders to
throw off the yoke of the licentious despot,--Olaf
Tryggvesson is proclaimed king,--and the "great Jarl of
Lade" is now a fugitive in the land he so lately ruled,
accompanied by a single thrall, named Karker.

In this extremity, Jarl Hacon applies for aid to Thora
of Rimmol, a lady whom he had once dearly loved; she is
faithful in adversity to the friend of happier days, and
conceals the Jarl and his companion in a hole dug for
this purpose, in the swine-stye, and covered over with
wood and litter; as the only spot likely to elude the
hot search of his enemies. Olaf and the Bonders seek for
him in Thora's house, but in vain; and finally, Olaf,
standing on the very stone against which the swine-stye
is built, promises wealth and honours to him who shall
bring him the Jarl of Lade's head. The scene which follows