Maurice Guest by Henry Handel Richardson
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page 4 of 806 (00%)
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like a line of light. He paused on a suspension bridge, and leaning
over the railing, gazed up the river into the distance, at the horizon and its trees, delicate and feathery in their nakedness against the sky. Swollen with recent rains and snows, the water came hurrying towards him--the storm-bed of the little river, which, meandering in from the country, through pleasant woods, in ever narrowing curves, ran through the town as a small stream, to be swelled again on the outskirts by the waters of two other rivers, which joined it at right angles. The bridge trembled at first, when other people crossed it, on their way to the woods that lay on the further side, but soon the last stragglers vanished, and he was alone. As he looked about, eager to discover beauty in the strip of landscape that stretched before him--the line of water, its banks of leafless trees--he was instinctively filled with a desire for something grander, for a feature in the scene that would answer to his mood. There, where the water appeared to end in a clump of trees, there, should be mountains, a gently undulating line, blue with the unapproachable blue of distance, and high enough to form a background to the view; in sumer, heavy with haze, melting into the sky; in winter, lined and edged with snow. From this, his thoughts sprang back to the music he had heard that morning. All the vague yet eager hopes that had run riot in his brain, for months past, seemed to have been summed up and made clear to him, in one supreme phrase of it, a great phrase in C major, in the concluding movement of Beethoven's Fifth Symphony. First sounded by the shrill sweet winds, it had suddenly been given out by the strings, in magnificient unison, and had mounted up and on, to the jubilant trilling of the little flutes. There was such a courageous sincerity in this theme, such undauntable resolve; it expressed more plainly than words what he intended his life of the next few years to |
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