The Inspector-General by Nikolai Vasilievich Gogol
page 15 of 169 (08%)
page 15 of 169 (08%)
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so is a bit of a freethinker. He is always seeing a
hidden meaning in things and therefore puts weight into every word he utters. The actor should preserve an expression of importance throughout. He speaks in a bass voice, with a prolonged rattle and wheeze in his throat, like an old-fashioned clock, which buzzes before it strikes. ZEMLIANIKA.--Very fat, slow and awkward; but for all that a sly, cunning scoundrel. He is very obliging and officious. SHPEKIN.--Guileless to the point of simplemindedness. The other characters require no special explanation, as their originals can be met almost anywhere. The actors should pay especial attention to the last scene. The last word uttered must strike all at once, suddenly, like an electric shock. The whole group should change its position at the same instant. The ladies must all burst into a simultaneous cry of astonishment, as if with one throat. The neglect of these directions may ruin the whole effect. THE INSPECTOR-GENERAL |
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