The Psychology of Beauty by Ethel Dench Puffer Howes
page 132 of 236 (55%)
page 132 of 236 (55%)
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with the symmetry of the body as making rhythmical gesture
necessary; or more particularly with the conditions of work, which, if it is skilled and well carried out, proceeds in equal recurring periods, like the swinging of a hammer or an axe. But it appears that primitive effort is not carried on in this way, and proceeds, not from regularity to rhythm, but rather, through, by means of rhythm, which is made a help, to regularity. Again, it is said that work can be well carried out by a large number of people, only in unison, only by simultaneous action, and that rhythm is a condition of this. The work in the cotton fields, the work of sailors, etc. requires something to give notice of the moment for beginning action. Rhythm would then have arisen as a social function. Against this it may be said that signals of this kind might assist common action without recurring at regular intervals, while periodicity is the fundamental quality of rhythm. Thus this theory would explain a natural tendency by its effect. Looking then, in accordance with the principle stated above, for deeper conditions, we find rhythm explained in connection with such rhythmical events as the heart beat and pulse, the double rhythm of the breath; but these are, for the most part, unfelt; and moreover, they would hardly explain the predominance of rhythms quite other than the physiological ones. Another theory, closely allied, connects rhythm with the conditions of activity in general, but attaches itself rather to the effect of rhythm than to its cause. Thus we are reminded of the "heightened sense of expansion, or life, connected with the augmentation of muscular movements induced by the more extensive nervous discharges following rhythmic stimulation."<1> |
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