The Psychology of Beauty by Ethel Dench Puffer Howes
page 53 of 236 (22%)
page 53 of 236 (22%)
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its approach to the objective, the impersonal, the ecstatic
state. Then how explain this anomaly? Why should religious, aesthetic, and intellectual emotion be accompanied in varying degrees by the loss of self-consciousness? Why should the sense of personality play us so strange a trick as to vanish, at the moment of seemingly greatest power, in the very shadow of its own glory? If now we put the most obvious question, and ask, in explanation of its escapades, what the true nature of this personality is, we shall find ourselves quite out of our reckoning on the vast sea of metaphysics. To know what personality IS, "root and all, and all in all," is to "know what God and man is." Fortunately, our problem is much more simple. It is not the personality, its reality, its meaning, that vanishes; no, nor even the psychological system of dispositions. We remain, in such a moment of ecstasy, as persons, what we were before. It is the FEELING of personality that has faded; and to find out in what this will-o'-the-wisp feeling of personality resides is a task wholly within the powers of psychological analysis. Let no one object that the depth and value of experience seem to disintegrate under the psychologist's microscope. The place of the full-orbed personality in a world of noble ends is not affected by the possibility that the centre of its conscious crystallization may be found in a single sensation. The explanation, then, of this apparent inconsistency--the fading away of self in the midst of certain most important experiences-- must lie in the nature of the feeling of personality. What is that feeling? On what is it based? How can it be described? |
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