and self-confident! There is no more reason in it than that. He shot
Cynthia Ware, and what she suffered in secret Coniston never guessed.
What parallels in history shall I quote to bring home the enormity of
such a mesalliance? Orthodox Coniston would have gone into sackcloth and
ashes,--was soon to go into these, anyway.

I am not trying to keep the lovers apart for any mere purposes of
fiction,--this is a true chronicle, and they stayed apart most of that
winter. Jethro went about his daily tasks, which were now become
manifold, and he wore the locket on its little chain himself. He did not
think that Cynthia loved him--yet, but he had the effrontery to believe
that she might, some day; and he was content to wait. He saw that she
avoided him, and he was too proud to go to the parsonage and so incur
ridicule and contempt.

Jethro was content to wait. That is a clew to his character throughout
his life. He would wait for his love, he would wait for his hate: he had
waited ten years before putting into practice the first step of a little
scheme which he had been gradually developing during that time, for which
he had been amassing money, and the life of Napoleon Bonaparte, by the
way, had given him some valuable ideas. Jethro, as well as Isaac D.
Worthington, had ambitions, although no one in Coniston had hitherto
guessed them except Jock Hallowell--and Cynthia Ware, after her curiosity
had been aroused.

Even as Isaac D. Worthington did not dream of the Truro Railroad and of
an era in the haze of futurity, it did not occur to Jethro Bass that his
ambitions tended to the making of another era that was at hand. Makers of
eras are too busy thinking about themselves and like immediate matters to
worry about history. Jethro never heard the expression about "cracks in