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A Second Book of Operas by Henry Edward Krehbiel
page 31 of 203 (15%)
sacred story.

Wicked envy and jealousy were not sufficient motives in the eyes of
Bulthaupt and d'Albert for the first fratricide; there must be an
infusion of psychology and modern philosophy. Abel is an optimist,
an idealist, a contented dreamer, joying in the loveliness of life
and nature; Cain, a pessimist, a morose brooder, for whom life
contained no beautiful illusions. He gets up from his couch in the
night to question the right of God to create man for suffering. He
is answered by Lucifer, who proclaims himself the benefactor of the
family in having rescued them from the slothful existence of Eden
and given them a Redeemer. The devil discourses on the delightful
ministrations of that Redeemer, whose name is Death. In the morning
Abel arises and as he offers his sacrifice he hymns the sacred
mystery of life and turns a deaf ear to the new-found gospel of
his brother. An inspiring thought comes to Cain; by killing Abel
and destroying himself he will save future generations from the
sufferings to which they are doomed. With this benevolent purpose
in mind he commits the murder. The blow has scarcely been struck
before a multitude of spirit-voices call his name and God thunders
the question: "Where is Abel, thy brother?" Adam comes from his
cave and looks upon the scene with horror. Now Cain realizes that
his work is less than half done: he is himself still alive and so
is his son Enoch. He rushes forward to kill his child, but the
mother throws herself between, and Cain discovers that he is not
strong-willed enough to carry out his design. God's curse condemns
him to eternal unrest, and while the elements rage around him Cain
goes forth into the mountain wilderness.

Herr Bulthaupt did not permit chronology to stand in the way of his
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