A Second Book of Operas by Henry Edward Krehbiel
page 57 of 203 (28%)
page 57 of 203 (28%)
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It would be a curious inquiry to try to determine the source of the fascination which the story of Manoah's son has exerted upon mankind for centuries. It bears a likeness to the story of the son of Zeus and Alcmene, and there are few books on mythology which do not draw a parallel between the two heroes. Samson's story is singularly brief. For twenty years he "judged Israel," but the Biblical history which deals with him consists only of an account of his birth, a recital of the incidents in which he displayed his prodigious strength and valor, the tale of his amours, and, at the end, the account of his tragical destruction, brought about by the weak element in his character. Commentators have been perplexed by the tale, irrespective of the adornments which it has received at the hands of the Talmudists. Is Samson a Hebrew form of the conception personified by the Greek Herakles? Is he a mythical creature, born in the human imagination of primitive nature worship--a variant of the Tyrian sun-god Shemesh, whose name his so curiously resembles? [In Hebrew he is called Shimshon, and the sun shemesh.] Was he something more than a man of extraordinary physical strength and extraordinary moral weakness, whose patriotic virtues and pathetic end have kept his memory alive through the ages? Have a hundred generations of men to whom the story of Herakles has appeared to be only a fanciful romance, the product of that imagination heightened by religion which led the Greeks to exalt their supreme heroes to the extent of deification, persisted in hearing and telling the story of Samson with a sympathetic interest which betrays at least a sub-conscious |
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