A Second Book of Operas by Henry Edward Krehbiel
page 61 of 203 (30%)
page 61 of 203 (30%)
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father said unto him: "Is there never a woman among the daughters
of thy brethren or among all my people that thou goest to take a wife of the uncircumcised Philistines?" he did not know that "it was of the Lord that he sought an occasion against the Philistines." Out of that wooing and winning grew the first of the encounters which culminated in the destruction of the temple of Dagon, when "the dead which he slew at his death were more than they which he slew in his life." So his yielding to the pleadings of his wife when she betrayed the answer to his riddle and his succumbing to the wheedling arts of Delilah when he betrayed the secret of his strength (acts incompatible with the character of an ordinary strong and wise man) were of the type essential to the machinery of the Greek drama. A word about the mythological interpretation of the characters which have been placed in parallel: It may be helpful to an understanding of the Hellenic mind to conceive Herakles as a marvellously strong man, first glorified into a national hero and finally deified. So, too, the theory, that Herakles sinking down upon his couch of fire is but a symbol of the declining sun can be entertained without marring the grandeur of the hero or belittling Nature's phenomenon; but it would obscure our understanding of the Hebrew intellect and profane the Hebrew religion to conceive Samson as anything but the man that the Bible says he was; while to make of him, as Ignaz Golziher suggests, a symbol of the setting sun whose curly locks (crines Phoebi) are sheared by Delilah-Night, would bring contumely upon one of the most beautiful and impressive of Nature's spectacles. Before the days of comparative mythology scholars were not troubled by such interpretations. Josephus disposes of the Delilah episode curtly: "As for Samson being |
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