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Hopes and Fears for Art by William Morris
page 105 of 181 (58%)
further? I had rather not, for when I think of it even when I am
quite alone I blush with shame at the thought.

I am afraid it is specially necessary in these days when making the
best of it is a hard job, and when the ordinary iron hurdles are so
common and so destructive of any kind of beauty in a garden, to say
when you fence anything in a garden use a live hedge, or stones set
flatwise (as they do in some parts of the Cotswold country), or
timber, or wattle, or, in short, anything but iron. {10}

And now to sum up as to a garden. Large or small, it should look
both orderly and rich. It should be well fenced from the outside
world. It should by no means imitate either the wilfulness or the
wildness of Nature, but should look like a thing never to be seen
except near a house. It should, in fact, look like a part of the
house. It follows from this that no private pleasure-garden should
be very big, and a public garden should be divided and made to look
like so many flower-closes in a meadow, or a wood, or amidst the
pavement.

It will be a key to right thinking about gardens if you consider in
what kind of places a garden is most desired. In a very beautiful
country, especially if it be mountainous, we can do without it well
enough; whereas in a flat and dull country we crave after it, and
there it is often the very making of the homestead. While in great
towns, gardens, both private and public, are positive necessities if
the citizens are to live reasonable and healthy lives in body and
mind.

So much for the garden, of which, since I have said that it ought to
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