Hopes and Fears for Art by William Morris
page 105 of 181 (58%)
page 105 of 181 (58%)
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further? I had rather not, for when I think of it even when I am
quite alone I blush with shame at the thought. I am afraid it is specially necessary in these days when making the best of it is a hard job, and when the ordinary iron hurdles are so common and so destructive of any kind of beauty in a garden, to say when you fence anything in a garden use a live hedge, or stones set flatwise (as they do in some parts of the Cotswold country), or timber, or wattle, or, in short, anything but iron. {10} And now to sum up as to a garden. Large or small, it should look both orderly and rich. It should be well fenced from the outside world. It should by no means imitate either the wilfulness or the wildness of Nature, but should look like a thing never to be seen except near a house. It should, in fact, look like a part of the house. It follows from this that no private pleasure-garden should be very big, and a public garden should be divided and made to look like so many flower-closes in a meadow, or a wood, or amidst the pavement. It will be a key to right thinking about gardens if you consider in what kind of places a garden is most desired. In a very beautiful country, especially if it be mountainous, we can do without it well enough; whereas in a flat and dull country we crave after it, and there it is often the very making of the homestead. While in great towns, gardens, both private and public, are positive necessities if the citizens are to live reasonable and healthy lives in body and mind. So much for the garden, of which, since I have said that it ought to |
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