Hopes and Fears for Art by William Morris
page 11 of 181 (06%)
page 11 of 181 (06%)
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luckiest, or the unluckiest: in all that has to do with beauty the
invention and ingenuity of man will have come to a dead stop; and all the while Nature will go on with her eternal recurrence of lovely changes--spring, summer, autumn, and winter; sunshine, rain, and snow; storm and fair weather; dawn, noon, and sunset; day and night--ever bearing witness against man that he has deliberately chosen ugliness instead of beauty, and to live where he is strongest amidst squalor or blank emptiness. You see, sirs, we cannot quite imagine it; any more, perhaps, than our forefathers of ancient London, living in the pretty, carefully whitened houses, with the famous church and its huge spire rising above them,--than they, passing about the fair gardens running down to the broad river, could have imagined a whole county or more covered over with hideous hovels, big, middle-sized, and little, which should one day be called London. Sirs, I say that this dead blank of the arts that I more than dread is difficult even now to imagine; yet I fear that I must say that if it does not come about, it will be owing to some turn of events which we cannot at present foresee: but I hold that if it does happen, it will only last for a time, that it will be but a burning up of the gathered weeds, so that the field may bear more abundantly. I hold that men would wake up after a while, and look round and find the dulness unbearable, and begin once more inventing, imitating, and imagining, as in earlier days. That faith comforts me, and I can say calmly if the blank space must happen, it must, and amidst its darkness the new seed must sprout. So it has been before: first comes birth, and hope scarcely |
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