Hopes and Fears for Art by William Morris
page 33 of 181 (18%)
page 33 of 181 (18%)
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for the future of the arts, which were born with the birth of
civilisation and will only die with its death--what on this side of things, the present time of strife and doubt and change is preparing for the better time, when the change shall have come, the strife be lulled, and the doubt cleared: this is a question, I say, which is indeed weighty, and may well interest all thinking men. Nay, so universally important is it, that I fear lest you should think I am taking too much upon myself to speak to you on so weighty a matter, nor should I have dared to do so, if I did not feel that I am to-night only the mouthpiece of better men than myself; whose hopes and fears I share; and that being so, I am the more emboldened to speak out, if I can, my full mind on the subject, because I am in a city where, if anywhere, men are not contented to live wholly for themselves and the present, but have fully accepted the duty of keeping their eyes open to whatever new is stirring, so that they may help and be helped by any truth that there may be in it. Nor can I forget, that, since you have done me the great honour of choosing me for the President of your Society of Arts for the past year, and of asking me to speak to you to-night, I should be doing less than my duty if I did not, according to my lights, speak out straightforwardly whatever seemed to me might be in a small degree useful to you. Indeed, I think I am among friends, who may forgive me if I speak rashly, but scarcely if I speak falsely. The aim of your Society and School of Arts is, as I understand it, to further those arts by education widely spread. A very great object is that, and well worthy of the reputation of this great city; but since Birmingham has also, I rejoice to know, a great reputation for not allowing things to go about shamming life when |
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