Hopes and Fears for Art by William Morris
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page 5 of 181 (02%)
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curse of stupidity, and the curse of injustice from within and from
without: no, I cannot suppose there is anybody here who would think it either a good life, or an amusing one, to sit with one's hands before one doing nothing--to live like a gentleman, as fools call it. Nevertheless there IS dull work to be done, and a weary business it is setting men about such work, and seeing them through it, and I would rather do the work twice over with my own hands than have such a job: but now only let the arts which we are talking of beautify our labour, and be widely spread, intelligent, well understood both by the maker and the user, let them grow in one word POPULAR, and there will be pretty much an end of dull work and its wearing slavery; and no man will any longer have an excuse for talking about the curse of labour, no man will any longer have an excuse for evading the blessing of labour. I believe there is nothing that will aid the world's progress so much as the attainment of this; I protest there is nothing in the world that I desire so much as this, wrapped up, as I am sure it is, with changes political and social, that in one way or another we all desire. Now if the objection be made, that these arts have been the handmaids of luxury, of tyranny, and of superstition, I must needs say that it is true in a sense; they have been so used, as many other excellent things have been. But it is also true that, among some nations, their most vigorous and freest times have been the very blossoming times of art: while at the same time, I must allow that these decorative arts have flourished among oppressed peoples, who have seemed to have no hope of freedom: yet I do not think that we shall be wrong in thinking that at such times, among such |
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