he retired to his own chamber, and looked for an instant in the glass.
He was instantly struck by an extraordinary resemblance, between himself
and the picture, which had never occurred to him before.

In the meanwhile, as soon as he had quitted the room, the Earl said, in
a calm, grave tone to his companion, pointing at the same time to the
picture which the other had been remarking, "The likeness is indeed very
striking, and might, perhaps, lead one to a suspicion which is not
correct."

"Oh, my dear lord," replied the courtier, "you must not think I meant
anything of the kind. I did remark a slight likeness, perhaps; but I was
admiring the beauty of the portrait. That is a Kneller, of course; none
could paint that but Kneller."

The Earl bowed his head and turned to the window. "It is the portrait,"
he said, "of one of my mother's family, a third or fourth cousin of my
own. Her father, Sir Harry Oswald, was obliged to fly, you know, for one
of those sad affairs in the reign of Charles the Second, and his estates
and effects were sold. I bought that picture at the time, with several
other things, as memorials of them, poor people."

"She must have been very handsome," said Lord Byerdale.

"The painter did her less than justice," replied the Earl, in the same
quiet tone: "she and her father died in France, within a short time of
each other; and there is certainly a strong likeness between that
portrait and Wilton.--There is no relationship, however."

Notwithstanding the quiet tone in which the Earl spoke, Lord Byerdale