Haydn by J. Cuthbert (James Cuthbert) Hadden
page 56 of 240 (23%)
page 56 of 240 (23%)
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[Figure: a musical score excerpt]
The autograph score, dated 1761, and preserved at Eisenstadt, is superscribed, "In Nomine Domini," and closes with Haydn's customary "Laus Deo" after the final signature The work is in the usual four movements. The symphonies of this date included also those known in England as "Le Matin" and "Le Soir," the one beginning-- [Figure: a musical score excerpt] and the other-- [figure: a musical score excerpt] Of the string quartets and other instrumental compositions of the period nothing need be said. In all these the composer was simply feeling his way towards a more perfect expression, and as few of them are now performed, their interest for us is almost entirely antiquarian. CHAPTER IV ESTERHAZ--1766-1790 Haydn's Fame extending--Haydn and Mozart compared--Esterhaz--Its Puppet Theatre--A Busy Life--Opera at Esterhaz--First Oratorio-- Opponents and Intriguers--"L'Isola Disabitata"--A Love Episode-- Correspondence with Artaria and Forster--Royal Dedicatees-- The "Seven Words"--The "Toy" and "Farewell" Symphonies. To crowd the details of a professional career covering close upon |
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