Pantheon, and 'Ich dien' (the Prince of Wales) countenancing the
Haymarket. It is unlucky that the amplest receptacle is to hold
the minority."

Cantatas, Catches and Choruses

That was how it turned out. The Lord Chamberlain finally refused
his license for operatic performances, and Gallini had to be
content with a license for "entertainments of music and dancing."
He opened his house on the 20th of March, and continued during
the season to give mixed entertainments twice a week. Various
works of Haydn's were performed at these entertainments,
including a cantata composed for David, an Italian catch for
seven voices, and the chorus known as "The Storm," a setting of
Peter Pindar's "Hark, the wild uproar of the waves." An opera,
"Orfeo ed Euridice," to which we have already referred, was almost
completed, but its production had necessarily to be abandoned, a
circumstance which must have occasioned him considerable regret
in view of the store he set upon his dramatic work.

Benefit and Other Concerts

On the 16th of May he had a benefit concert, when the receipts
exceeded by 150 pounds the 200 pounds which had been guaranteed. A second
benefit was given on May 30, when "La Passione Instrumentale"
(the "Seven Words" written for Cadiz) was performed. This work
was given again on June 10, at the benefit concert of the
"little" Clement, a boy violinist who grew into the famous artist
for whom Beethoven wrote his Violin Concerto. On this occasion
Haydn conducted for Clement, and it is interesting to observe