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Memories and Portraits by Robert Louis Stevenson
page 134 of 166 (80%)

To cling to what is left of any damaged quality is virtue in the
man; but perhaps to sing its praises is scarcely to be called
morality in the writer. And it is elsewhere, it is in the
character of d'Artagnan, that we must look for that spirit of
morality, which is one of the chief merits of the book, makes one
of the main joys of its perusal, and sets it high above more
popular rivals. Athos, with the coming of years, has declined too
much into the preacher, and the preacher of a sapless creed; but
d'Artagnan has mellowed into a man so witty, rough, kind and
upright, that he takes the heart by storm. There is nothing of the
copy-book about his virtues, nothing of the drawing-room in his
fine, natural civility; he will sail near the wind; he is no
district visitor - no Wesley or Robespierre; his conscience is void
of all refinement whether for good or evil; but the whole man rings
true like a good sovereign. Readers who have approached the
VICOMTE, not across country, but by the legitimate, five-volumed
avenue of the MOUSQUETAIRES and VINGT ANS APRES, will not have
forgotten d'Artagnan's ungentlemanly and perfectly improbable trick
upon Milady. What a pleasure it is, then, what a reward, and how
agreeable a lesson, to see the old captain humble himself to the
son of the man whom he had personated! Here, and throughout, if I
am to choose virtues for myself or my friends, let me choose the
virtues of d'Artagnan. I do not say there is no character as well
drawn in Shakespeare; I do say there is none that I love so wholly.
There are many spiritual eyes that seem to spy upon our actions -
eyes of the dead and the absent, whom we imagine to behold us in
our most private hours, and whom we fear and scruple to offend: our
witnesses and judges. And among these, even if you should think me
childish, I must count my d'Artagnan - not d'Artagnan of the
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