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Memories and Portraits by Robert Louis Stevenson
page 24 of 166 (14%)
after name, and to each the conventional attributions and the idle
dates: a regiment of the unknown that had been the joy of mothers,
and had thrilled with the illusions of youth, and at last, in the
dim sick-room, wrestled with the pangs of old mortality. In that
whole crew of the silenced there was but one of whom my fancy had
received a picture; and he, with his comely, florid countenance,
bewigged and habited in scarlet, and in his day combining fame and
popularity, stood forth, like a taunt, among that company of
phantom appellations. It was then possible to leave behind us
something more explicit than these severe, monotonous and lying
epitaphs; and the thing left, the memory of a painted picture and
what we call the immortality of a name, was hardly more desirable
than mere oblivion. Even David Hume, as he lay composed beneath
that "circular idea," was fainter than a dream; and when the
housemaid, broom in hand, smiled and beckoned from the open window,
the fame of that bewigged philosopher melted like a raindrop in the
sea.

And yet in soberness I cared as little for the housemaid as for
David Hume. The interests of youth are rarely frank; his passions,
like Noah's dove, come home to roost. The fire, sensibility, and
volume of his own nature, that is all that he has learned to
recognise. The tumultuary and gray tide of life, the empire of
routine, the unrejoicing faces of his elders, fill him with
contemptuous surprise; there also he seems to walk among the tombs
of spirits; and it is only in the course of years, and after much
rubbing with his fellow-men, that he begins by glimpses to see
himself from without and his fellows from within: to know his own
for one among the thousand undenoted countenances of the city
street, and to divine in others the throb of human agony and hope.
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