Amsterdam, and a last step into the air off his own
greatly-improved gallows drop, brought the career of
Deacon William Brodie to an end. But still, by the
mind's eye, he may be seen, a man harassed below a
mountain of duplicity, slinking from a magistrate's
supper-room to a thieves' ken, and pickeering among the
closes by the flicker of a dark lamp.

Or where the Deacon is out of favour, perhaps some
memory lingers of the great plagues, and of fatal houses
still unsafe to enter within the memory of man. For in
time of pestilence the discipline had been sharp and
sudden, and what we now call 'stamping out contagion' was
carried on with deadly rigour. The officials, in their
gowns of grey, with a white St. Andrew's cross on back
and breast, and a white cloth carried before them on a
staff, perambulated the city, adding the terror of man's
justice to the fear of God's visitation. The dead they
buried on the Borough Muir; the living who had concealed
the sickness were drowned, if they were women, in the
Quarry Holes, and if they were men, were hanged and
gibbeted at their own doors; and wherever the evil had
passed, furniture was destroyed and houses closed. And
the most bogeyish part of the story is about such houses.
Two generations back they still stood dark and empty;
people avoided them as they passed by; the boldest
schoolboy only shouted through the keyhole and made off;
for within, it was supposed, the plague lay ambushed like
a basilisk, ready to flow forth and spread blain and
pustule through the city. What a terrible next-door