beyond the city upon its diversified surroundings. But
perhaps it is all the more surprising, to come suddenly
on a corner, and see a perspective of a mile or more of
falling street, and beyond that woods and villas, and a
blue arm of sea, and the hills upon the farther side.

Fergusson, our Edinburgh poet, Burns's model, once
saw a butterfly at the Town Cross; and the sight inspired
him with a worthless little ode. This painted country
man, the dandy of the rose garden, looked far abroad in
such a humming neighbourhood; and you can fancy what
moral considerations a youthful poet would supply. But
the incident, in a fanciful sort of way, is
characteristic of the place. Into no other city does the
sight of the country enter so far; if you do not meet a
butterfly, you shall certainly catch a glimpse of far-
away trees upon your walk; and the place is full of
theatre tricks in the way of scenery. You peep under an
arch, you descend stairs that look as if they would land
you in a cellar, you turn to the back-window of a grimy
tenement in a lane:- and behold! you are face-to-face
with distant and bright prospects. You turn a corner,
and there is the sun going down into the Highland hills.
You look down an alley, and see ships tacking for the
Baltic.

For the country people to see Edinburgh on her hill-
tops, is one thing; it is another for the citizen, from
the thick of his affairs, to overlook the country. It
should be a genial and ameliorating influence in life; it