"In order to live, thou shalt bend thyself towards earth; in order to
think thou shalt raise thyself heavenwards. We want the life of the
soul as much as that of the body; whence there are two utilities. Thus
it is certain that a book will not serve as foot-gear; an epic, from
the utilitarian point of view, is not worth an economical soup from
the kitchen of a Benevolent Society; and a self-acting boiler, rising
a couple of inches on itself, procures calico a few pence a yard
cheaper; but this machine and the improvements of industry do not
breathe life into a nation, and will not tell the future that it has
existed; whereas Egyptian art, Mexican art, Grecian art, Roman art,
with their masterpieces accused of uselessness, have attested the
existence of these peoples in the vast expanse of time, there where
huge intermediary nations, destitute of great men, have disappeared
without leaving their visiting cards on the globe. All works of genius
are the epitome of a civilization, and presuppose an immense utility.
Forsooth, a pair of boots will not outvie a stage-play in your eyes,
and you will not prefer a windmill to the Church of Saint Ouen. So, a
people is animated with the same sentiment as a man; and man's
favourite idea is to survive himself mentally as he reproduces himself
physically. The survival of a people is the work of its men of
genius."

_Beatrix_, the other completed novel of the year, is a drawn-out,
ill-composed work, which is not redeemed sufficiently by its minute
description of Breton manners and its portrait of George Sand in
Felicite des Touches. Six years separated the publication of the first
part of the book from that of the conclusion, and, in the interval,
the unity of plan suffered. Balzac devoted a good deal of labour to
its execution. In all the conjugal ruses employed by Sabine de