labour. Much of his time he frittered away in adding to his
collections. Here he picked up a portrait of Queen Marie Leczinska by
a pupil of Coypel, there, a Flemish lustre for which he paid four
hundred and fifty francs. Eve reproached him with his idleness,
presumably because he was too frequently at the house of Madame de
Girardin. To calm her he penned a few remarks anent that lady not
exactly complimentary. "Madame de Girardin," he said, "who is charming
among a few friends, is a less agreeable hostess when she holds a
large reception. She belies her origin only by her talent; but, when
she is outside her talent, she becomes once more her mother's
daughter, that is to say 'bourgeoise' and 'Gay' thoroughbred." To the
soiree which drew from him this jibe, he had been invited to meet
Sheridan's granddaughter--an English bore, he styled her--who looked
him up and down through an eye-glass as if he were an actor. His
relations with Emile, Delphine's husband, continued to be marked by
breezes. Before starting for Rome on the 17th of March, he sent him a
few sharp lines complaining of the _Presse's_ delay in printing the
_Peasants_. As a matter of fact, the readers of the _Presse_ were not
pleased with the story; and the editor had been obliged to request the
author to modify the unpublished part. Balzac complied, but felt sore.

The earlier chapters of this novel appeared in 1844; the last ones did
not come out until five years after the novelist's death. The plot of
the book turns on the struggle waged by the peasants and petty
bourgeois of Soulanges against a new but estimable landlord, General
Montcornet, whose estate they are determined to have by hook or by
crook in their own hands, not hesitating, at least some of them, to
assassinate the honest agent who strives to protect his employer's
property against their depredations. All these country folk Balzac has
portrayed with effects depending on the painter's and sculptor's art