the keeper and porter.'"

Within three short years from this date, the charge fell on her--the
friend. She became the porteress of the abode which the other had
prepared with such lavish attention and expenditure, to serve him only
as a pall.

In 1875, the widow and her son-in-law, Count Mniszech, resolved to
modify the Hotel Beaujon and the adjoining buildings, with the
intention of perpetuating the novelist's memory. The rotunda of the
private chapel they planned to convert into a kind of circular atrium,
with a fountain in the middle and a trellised gallery running round
it, decorated with busts, statues, and other works of art. Changes
likewise were to be effected in the courtyard, to which the pillars of
the chapel nave had been removed; and a statue of the late owner was
to be erected there, close to a tree, the seed of which had been
planted on the occasion of his marriage. The facade of the house on
the Rue Fortunee, now the Rue Balzac, was also to be embellished, and
the central pavilion made to represent the novelist's apotheosis, with
a monumental bass-relief and a niche. Only a small portion of these
alterations was completed. On Madame de Balzac's death, in 1882, the
property was bought by the Baroness Salomon de Rothschild; and, before
the end of the century, it was demolished and the ground it covered
was incorporated into the Baroness's own gardens. All that now marks
the site is the small dome forming the corner of the Rue Balzac and
the Rue du Faubourg-Saint-Honore.

Whatever menaces of rupture between the lovers may have darkened their
horizon in the spring and summer of 1847 had vanished before the
autumn. At the end of September, Balzac went by invitation to