not complain of learning nothing, and he kept secret my book-borrowing.
This precocious passion led me to neglect my studies and instead to
compose poems, which indeed were of no high promise, if judged by the
following verse: 'O Inca! O roi infortune,' commencing an epopee on
the Incas. The line became only too celebrated among my companions,
and I was derisively nicknamed the poet. Mockery, however, did not
cure me, and I continued my efforts in spite of the apologue of the
Principal, Monsieur Mareschal, who one day related to me the
misfortunes of a linnet that tried to fly before being fully fledged.
He wished, no doubt, to turn me from my inveterate habit. As I
continued to read, I was continually punished, and grew to be the
least active, most idle, most contemplative pupil of the Smalls."

And now for the _alter ego_. "Louis Lambert was slender and thin, not
more than four feet and a half in height, but his weather-beaten face,
his sun-browned hands seemed to indicate a muscular vigour which he
had not in a normal state. So, two months after his entering the
college, when his school life had robbed him of his well-nigh
vegetable colour, we remarked that he became pale and white like a
woman. His head was unusually big; his hair, beautifully black and
naturally curly, lent an ineffable charm to his forehead, the size of
which struck us as extraordinary, though, as may be imagined, we
little recked of phrenology. The beauty of this prophetic forehead
resided chiefly in the extremely pure cut of the two brows, under
which shone his dark eyes--brows that appeared to be carved in
alabaster. Their lines had the somewhat rare luck to be perfectly
parallel in joining each other at the beginning of the features. These
latter were irregular enough, but the irregularity disappeared when
one saw his eyes, whose gaze possessed an astonishing variety of
expression. Sometimes clear and terribly penetrating, sometimes