differentiate themselves from the plutocracy of the Chaussee d'Antin,
who copied their manners, with an added magnificence of display which
those they imitated could not afford. In the one camp the antique
bronzes, gildings, and carvings of a bygone art were retained with
pious veneration; in the other, pictures, carpets, Jacob chairs and
sofas, mirrors, and time-pieces, and the gold and silver plate were
all in lavish style, indicative of their owner's ampler means. One
feature of the pre-Revolution era was revived in the feminine
_salons_, which regained most, if not the whole, of their pristine
renown. The Hotel de la Rochefoucauld of Madame Ancelot became a
second Hotel de Rambouillet, where the classical Parseval-Grandmaison,
who spent twenty years over his poem _Philippe-Auguste_, held
armistice with the young champion of the Romantic school, Victor Hugo.
The Princess de Vaudemont received her guests in Paris during the
winter, and at Suresnes during the summer; and her friend the Duchess
de Duras' _causeries_ were frequented by such men as Cuvier, Humboldt,
Talleyrand, Mole, de Villele, Chateaubriand, and Villemain. Other
circles existed in the houses of the Dukes Pasquier and de Broglie,
the countess Merlin, and Madame de Mirbel.

With the re-establishment of peace, literary and toilet pre-occupations
began to assert their claims. The _Ourika_ of the Duchess de Duras took
Paris by storm. Her heroine, the young Senegal negress, gave her name to
dresses, hats, and bonnets. Everything was _Ourika_. The prettiest
Parisian woman yearned to be black, and regretted not having been born
in darkest Africa. Anglomania in men's clothes prevailed throughout the
reign of Louis XVIII., yet mixed with other modes. "Behold an up-to-date
dandy," says a writer of the epoch; "all extremes meet in him. You shall
see him Prussian by the stomach, Russian by his waist, English in his
coat-tails and collar, Cossack by the sack that serves him as trousers,