Thelma by Marie Corelli
page 4 of 774 (00%)
page 4 of 774 (00%)
|
referential and seemingly worshipping silence of the earth,--that,
for a few moments, awed him into a sense of the spiritual and unseen. Mythical passages from the poets he loved came into his memory, and stray fragments of old songs and ballads he had known in his childhood returned to him with haunting persistence. It was, for him, one of those sudden halts in life which we all experience,--an instant,--when time and the world seem to stand still, as though to permit us easy breathing; a brief space,--in which we are allowed to stop and wonder awhile at the strange unaccountable force within us, that enables us to stand with such calm, smiling audacity, on our small pin's point of the present, between the wide dark gaps of past and future; a small hush,--in which the gigantic engines of the universe appear to revolve no more, and the immortal Soul of man itself is subjected and over-ruled by supreme and eternal Thought. Drifting away on those delicate imperceptible lines that lie between reality and dreamland, the watcher of the midnight sun gave himself up to the half painful, half delicious sense of being drawn in, absorbed, and lost in infinite imaginings, when the intense stillness around him was broken by the sound of a voice singing, a full, rich contralto, that rang through the air with the clearness of a golden bell. The sweet liquid notes were those of an old Norwegian mountain melody, one of those wildly pathetic FOLK-SONGS that seem to hold all the sorrow, wonder, wistfulness, and indescribable yearning of a heart too full for other speech than music. He started to his feet and looked around him for the singer. There was no one visible. The amber streaks in the sky were leaping into crimson flame; the Fjord glowed like the burning lake of Dante's vision; one solitary sea-gull winged its graceful, noiseless flight far above, its white pinions shimmering like jewels as it crossed the radiance of the heavens. Other sign of animal life there |
|