Liszt appeared. to me the most perfect contrast to my own being
and situation. In this world, to which it had been my desire to
fly from my narrow circumstances, Liszt had grown up from his
earliest age, so as to be the object of general love and
admiration at a time when I was repulsed by general coldness and
want of sympathy. In consequence, I looked upon him with
suspicion. I had no opportunity of disclosing my being and
working to m, and, therefore, the reception I met with on his
part was altogether of a superficial kind, as was indeed quite
natural in a man to whom every day the most divergent impressions
claimed access. My repeated expression of this feeling was
afterwards reported to Liszt, just at the time when my "Rienzi"
at Dresden attracted general attention. He was surprised to find
himself misunderstood with such violence by a man whom he had
scarcely known, and whose acquaintance now seemed not without
value to him. I am still touched at recollecting the repeated and
eager attempts he made to change my opinion of him, even before
he knew any of my works. He acted not from any artistic sympathy,
but was led by the purely human wish of discontinuing a casual
disharmony between himself and another being; perhaps he also
felt an infinitely tender misgiving of having really hurt me
unconsciously. He who knows the terrible selfishness and
insensibility in our social life, and especially in the relations
of modern artists to each other, cannot but be struck with
wonder, nay, delight, by the treatment I experienced from this
extraordinary man.

"This happened at a time when it became more and more evident
that my dramatic works would have no outward success. But just
when the case seemed desperate Liszt succeeded by his own energy