of complaisance to me. Another sitting was needed in order to finish the
work; but it was with great difficulty M. de La Trappe could be persuaded
to consent to it. When the third and last interview was at an end, M. de
La Trappe testified to me his surprise at having been so much and so long
looked at by a species of mute. I made the best excuses I could, and
hastened to turn the conversation.

The portrait was at length finished, and was a most perfect likeness of
my venerable friend. Rigault admitted to me that he had worked so hard
to produce it from memory, that for several months afterwards he had been
unable to do anything to his other portraits. Notwithstanding the
thousand crowns I had paid him, he broke the engagement he had made by
showing the portrait before giving it up to me. Then, solicited for
copies, he made several, gaining thereby, according to his own admission,
more than twenty-five thousand francs, and thus gave publicity to the
affair.

I was very much annoyed at this, and with the noise it made in the world;
and I wrote to M. de La Trappe, relating the deception I had practised
upon him, and sued for pardon. He was pained to excess, hurt, and
afflicted; nevertheless he showed no anger. He wrote in return to me,
and said, I was not ignorant that a Roman Emperor had said, "I love
treason but not traitors;" but that, as for himself, he felt on the
contrary that he loved the traitor but could only hate his treason.
I made presents of three copies of the picture to the monastery of La
Trappe. On the back of the original I described the circumstance under
which the portrait had been taken, in order to show that M. de La Trappe
had not consented to it, and I pointed out that for some years he had
been unable to use his right hand, to acknowledge thus the error which
had been made in representing him as writing.