debauchery. He began to languish as soon as he was without noise,
excess, and tumult, the time painfully hanging upon his hands. He cast
himself upon painting, when his great fancy for chemistry had passed or
grown deadened, in consequence of what had been said upon it. He painted
nearly all the afternoon at Versailles and at Marly. He was a good judge
of pictures, liked them, and made a collection, which in number and
excellence was not surpassed by those of the Crown. He amused himself
afterwards in making composition stones and seals over charcoal, the
fumes of which often drove me away; and the strongest perfumes, which he
was fond of all his life, but from which I turned him because the King
was very much afraid of them, and soon sniffed them. In fact, never was
man born with so many talents of all kinds, so much readiness and
facility in making use of them, and yet never was man so idle, so given
up to vacuity and weariness. Thus Madame painted him very happily by an
illustration from fairy tales, of which she was full.

She said, that all the fairies had been invited to his birth; that all
came, and that each gave him some talent, so that he had them all. But,
unfortunately, an old fairy, who had disappeared so many years ago that
she was no longer remembered, had been omitted from the invitation lists.
Piqued at this neglect, she came supported upon her little wand, just at
the moment when all the rest had endowed the child with their gifts.
More and more vexed, she revenged herself by rendering useless all the
talents he had received from the other fairies, not one of which, though
possessing them all, in consequence of her malediction, was he able to
make use of. It must be admitted, that on the whole this is a speaking
portrait.

One of the misfortunes of this Prince was being incapable of following up
anything, and an inability to comprehend, even, how any one else could do