imagined, began to hold her head very high indeed directly the regency of
Monsieur her father was established. Despite the representations of
Madame de Saint-Simon, she usurped all the honours of a queen; she went
through Paris with kettle-drums beating, and all along the quay of the
Tuileries where the King was. The Marechal de Villeroy complained of
this next day to M. le Duc d'Orleans, who promised him that while the
King remained in Paris no kettle-drums should be heard but his. Never
afterwards did Madame la Duchesse de Berry have any, yet when she went to
the theatre she sat upon a raised dais in her box, had four of her guards
upon the stage, and others in the pit; the house was better lighted than
usual, and before the commencement of the performance she was harangued
by the players. This made a strange stir in Paris, and as she did not
dare to continue it she gave up her usual place, and took at the opera a
little box where she could scarcely be seen, and where she was almost
incognito. As the comedy was played then upon the opera stage for
Madame, this little box served for both entertainments.

The Duchess desired apparently to pass the summer nights in all liberty
in the garden of the Luxembourg. She accordingly had all the gates
walled up but one, by which the Faubourg Saint-Germain, which had always
enjoyed the privilege of walking there, were much deprived. M. le Duc
thereupon opened the Conti garden to make up to the public for their
loss. As may be imagined, strange things were said about the motives
which led to the walling up of the garden.

As the Princess found new lovers to replace the old ones, she tried to
pension off the latter at the expense of the public. She had a place
created expressly for La Haye. She bought, or rather the King for her,
a little house at the entry of the Bois de Boulogne, which was pretty,
with all the wood in front, and a fine garden behind. It was called La